On February 1, 2021, in the midst of the European lockdown, news of a military coup in Myanmar hit the screens, bringing an abrupt end to the once called “democratic transition”. In a few days, the violence of the military dictatorship slaughtered w
       
     
 Documenting the present was impossible. Revisiting my Burmese archives of the past decade proved unsettling. The recent events had disfigured the past and the threats had become blinding. I then began to compose these diptychs in an attempt to under
       
     
 These diptychs weave moments together, revealing shadows, telling the tale of that time. What remains is the light, an emotion, a place, and the longings for happiness that define the human condition.
       
     
 This series is dedicated to the people of Myanmar once again in darkness.
       
     
04_Marylise_Vigneau.jpg
       
     
06_Marylise_Vigneau.jpg
       
     
BD.jpg
       
     
07_Marylise_Vigneau.jpg
       
     
011_Marylise_Vigneau.jpg
       
     
010_Marylise_Vigneau.jpg
       
     
08.jpg
       
     
08_Marylise_Vigneau.jpg
       
     
014_Marylise_Vigneau.jpg
       
     
09_Marylise_Vigneau.jpg
       
     
012_Marylise_Vigneau.jpg
       
     
DIPTYCH-YANGON-3.jpg
       
     
013_Marylise_Vigneau.jpg
       
     
B60.jpg
       
     
678.jpg
       
     
 On February 1, 2021, in the midst of the European lockdown, news of a military coup in Myanmar hit the screens, bringing an abrupt end to the once called “democratic transition”. In a few days, the violence of the military dictatorship slaughtered w
       
     

On February 1, 2021, in the midst of the European lockdown, news of a military coup in Myanmar hit the screens, bringing an abrupt end to the once called “democratic transition”. In a few days, the violence of the military dictatorship slaughtered what suddenly appeared to have been an illusion, massacring many hopes.

 Documenting the present was impossible. Revisiting my Burmese archives of the past decade proved unsettling. The recent events had disfigured the past and the threats had become blinding. I then began to compose these diptychs in an attempt to under
       
     

Documenting the present was impossible. Revisiting my Burmese archives of the past decade proved unsettling. The recent events had disfigured the past and the threats had become blinding. I then began to compose these diptychs in an attempt to understand.

 These diptychs weave moments together, revealing shadows, telling the tale of that time. What remains is the light, an emotion, a place, and the longings for happiness that define the human condition.
       
     

These diptychs weave moments together, revealing shadows, telling the tale of that time. What remains is the light, an emotion, a place, and the longings for happiness that define the human condition.

 This series is dedicated to the people of Myanmar once again in darkness.
       
     

This series is dedicated to the people of Myanmar once again in darkness.

04_Marylise_Vigneau.jpg
       
     
06_Marylise_Vigneau.jpg
       
     
BD.jpg
       
     
07_Marylise_Vigneau.jpg
       
     
011_Marylise_Vigneau.jpg
       
     
010_Marylise_Vigneau.jpg
       
     
08.jpg
       
     
08_Marylise_Vigneau.jpg
       
     
014_Marylise_Vigneau.jpg
       
     
09_Marylise_Vigneau.jpg
       
     
012_Marylise_Vigneau.jpg
       
     
DIPTYCH-YANGON-3.jpg
       
     
013_Marylise_Vigneau.jpg
       
     
B60.jpg
       
     
678.jpg